Everyone Wants a Piece of Onam

As Kerala’s biggest festival goes mainstream, the internet is divided over who gets to celebrate it — and what it even means.

GettyImages-55375185 Indian women make a “pookalam” or floral
NEW DELHI, INDIA: Indian women make a “pookalam” or floral art during a contest in New Delhi, 11 September 2005 ahead of the Onam festival. The Onam festival is a harvest festival and will be celebrated on 15 September 2005 mostly in India’s southern state of Kerala. AFP PHOTO/RAVEENDRAN (Photo credit should read RAVEENDRAN/AFP via Getty Images)

Kaushikee Nayudu

.

August 27, 2026

.

10 min

A woman in an off-white sari with gold borders was doing what many do when celebrating Onam: arranging flowers on the floor; serving rice, payasam, and vegetables on banana leaves; and frying up pappadam and puri. A repost of the video garnered over 1 million views: “Onam’s pan-Indian soft power comes from it being India’s most Instagramable festival that’s celebrated across religious lines.”

You’re not imagining it. This Onam season, symbols of the holiday have been everywhere: the saris, the flowers, the banana leaves laden with delicious foods. Yet not everyone’s happy with this focus on aesthetics. Onam is now “plastic,” lawyer Ashwin Sampatkumaran lamented to The Juggernaut. “It is not how it used to be celebrated.” Another X user wrote: “Onam has been watered down to a fancy flower arrangement and fancy dress party with a sadya at the end. It’s been robbed of its essence to make it palatable for anyone and everyone.”

The backlash feels new, but it isn’t. From the recent debate on the festival’s commercialization to historic conversations about its roots, one question keeps surfacing: who gets to celebrate Onam? And is there a “right” way to do it? The Juggernaut spoke to scholars and Malayalis across faiths to understand why India’s most “Instagrammable festival” has also been one of its most contested.

Join today to read the full story.

or

Already a subscriber? Log in