It was the winter of 2000, and Shah Rukh Khan, “King of Bollywood,” was hiding in his costar’s trailer. Not from paparazzi, or rabid fans, but from a man in a suit. The man, Nazeem Rizvi, claimed to be a producer, but in reality, represented a powerful crime lord called Chhota Shakeel. Years of Bollywood’s collusion with the underworld meant that Khan was used to receiving death threats: hits like Devdas (2002) were funded by the underworld, with “black money.”
“The underworld had grown to the extent that 80 to 90% of the films being made were funded by the underworld,” said Sanjiv Puri, a veteran writer from the industry. “There were certain producers who were close to gangsters. You’d see them sometimes sitting with a rough-looking guy on sets.”
Until 2001, a legal quirk had made Bollywood an underground business. Cinema was not given “industry status,” which meant producers could not borrow from banks or even apply for insurance. The central government refusing to recognize film meant that those who funded films either had money to launder, or just to burn.
“It was never looked at as a serious industry,” said Puri. “According to the powers-that-be, ‘industry’ was the cement industry or the auto industry.”
While the Soviet Union was pumping out cinema through state-funded artists such as Sergei Eisenstein a